Homeward Bound: Bringing Glossop's History Home

Hello, it's been a while.  Thank you for being here. Being back in physical archives, collections and long lost boxes of stuff seems better than ever. It feels like stories are pouring out of every corner and I am making  new discoveries on a daily basis. I have so many  projects to complete and lots to share. The last two years, however, have allowed me to venture far and wide, dipping my toe into collections and archives from around the world. Yet nothing beats finding something and getting up close and personal with it.

I now have access to over 300 items that have all got association with our town. These come from an array of locations from all over and during the last 8 weeks I have carefully coordinated and negotiated the release of these such items. My plan is to return them to Glossop for a set period of time. This would allow locals and visitors to see some of our lost artifacts, discover their stories attached to them and you get to see my life's work coming into fruition once again.

Where have I been? I have been working hard on bringing history to life through social history. I have continued my work throughout the pandemic and extended my sessions, presentations and experiences to people all over the High Peak as part of a project to combat loneliness, online sessions for schools, in and out of care settings and using the power of reminiscence to people in our community who suffer from dementia. I am very proud of the success I have had and even kindly received awards for my unique experiences. I have lots of great opportunities ahead to explore further. 

I am now opening back up to the wider community but I don't expect to pick up where I left off. During the early part of 2020 right up to two days before lockdown I had 4 sessions where I had just over 500 visitors, locals, schools and partners joined me for presentations and experiences. I hope to gradually grow to that potential again but as always I want to improve how to deliver things. One of the major downfalls is I can't seem to find anywhere suitable to build a ground floor space to call 'home'. Over the past 6 years I have even had full support from businesses and private backers to provide a full 2 years of rent to enable me to build the foundations but to no avail. All I need is some space. So I have to think outside the box again as I cannot wait around as there is so much for you to see, feel, do and discover. 

I have been returning to the archives both in a personal and national capacity. From cool cupboards to vast catacombs of interlocking vaults that emanate a real  Da Vinci Code vibe! So I have found some real gems during lockdown and now to not only see some of them in person but to grant the door to be wedged open to allow their birthplace to see them is monumental. This is just what I have aimed for my entire working career and passion to achieve. There is a world of items that haven't seen the light of day, some more than half a century and some have never been in the public eye. I am planning to show some of these items over my next series of talks and presentations, starting with 'Glossop's Fading Footprint'  and 'Stepping into History' . As soon as I can find suitable premises I now have permission from 6 archives to loan items to go on show. 

What is there to see? There is a wide range of items from documents, images, buttons, badges to paintings, personal accounts, patterns, cotton, grand chests and even a silver casket! There are remains of a ship that was contracted by the Woods family, that would ship cotton which I stumbled across in a shed when I was on holiday! All the items have a personal link to the town. There are even some items of great historical importance like a personal letter from the Duke of Norfolk while he was residing at Glossop during the summer. That's right the Norfolks spent time in the summer here! The letter is over 160 years old and mentions grand parties and new roles for the servants. More importantly it reveals the true position and freedom of Thomas Ellison. There is a diary linking Glossop and a visit from William Wordsworth. Personal items from Edward Fitzalan-Howard, 1st Baron Howard of Glossop. The list is growing daily and I hope that I can shed light on them for you too in the not so distant future.

Before I go, there is a bear on the hill! Sounds like a children's book doesn't it? But there really is a brown bear right here in Glossop. Why? Well I am just about to write his story as requested. So hold tight for more soon. But unlike my other artifacts, he is still here in his home from home surroundings. 

Sorry it has been so long but health has tried to get in my way but resilient as always I pledge my life to the town. I have strong and deep roots in Glossop but I'll  continue to open up the past though new innovative ways and means to allow you to step inside, to get a unique glance at the past!

Thank you for your time,

Kind Regards Matthew.  

Want to know more? Get in touch, involved or know of some space I can use or rent? 

Let me know at glossop6@googlemail.com 

Announcement: Glossop History - The Way We Were

I have been working on a verity of different projects over the last twelve months. From documenting rare and previously undiscovered finds, rediscovering documents and artifacts in private or locked or away collections, providing talks to clubs and schools as well as providing assistance with the ever threat of damage to our local heritage.

This is around my other passion which working with individuals who suffer from dementia. I work closely with the community and provide a ward winging experiences and sessions to engage and enhance a person’s day. This enhances the opportunity to social interaction and the ideal environment to reminisce, remember personal memories and create new ones along the way.

There will be two presentations this year that will be of note and I cordially invite you to join us. The first is on the 26^th October 2019 at Partington Theatre, Henry Street, Glossop. This will be an evening presentation/ workshop titled The Way We Were. It is the perfect combination of both of my passions. We will have a brief look at our social history, local events and images that are proving to be somewhat iconic.

There will be more updates soon regarding the latest request for permission for more housing in the old part of the town which is set to destroy not only history of our town but the skyline forever.

Heavy Rain, Floods and Christmas

Back to normal with monthly posts yet this month is more updates. 

The last week or so has brought heavy rain and new things even I haven't seen in the town before. The weather is turning autumnal and with Christmas just around the corner my reflections always turn to Woolworths.

The store that sold everything was definitely the place to get your Christmas stock. It had a fantastic line of plastic Christmas trees and lights and going to Woolworths was a pure tradition. We lost our store in 2009 when the business closed around the country. You can read more here.

Glossop has gained a multitude of local shops and businesses over the last couple of years and as of next month we will be featuring several of them here as I make the final arrangements and filming for Glossop Tours big Christmas Special, Personal Stories. Over the last 12 months I have been working with a local film producer filming interviews with local people to feature part of an online mini documentary series and for the Christmas Special.  These not only feature local shops, businesses but local people and dignitaries. We are continuing filming right through to summer next year so if you or know of someone that you think will have something interesting to share then please get in touch.

I have also started a sister site that follows my travels around the local area, region and beyond. These include reviews of cafes and restaurants as well as history, walks and interesting hidden gems, this will go live at the event in December.

Soon you will be able to book our tours in Glossop it's self as we are looking at possibility of having a booking office in the town. There will also be a opportunity to see some of our history and possibly some of our collection from time to time.

This year has been a real roller coaster with health and work opportunities and things  are looking good for the beginning of 2018 and hopefully we will be opening up our own local office, so watch this space.

There have been fears of local flooding recently with heavy rainfall again in Glossop. Nothing has been done to create new flood defenses since the last major flooding in 2001. Again there was no inquiry into whether it was human error that caused the flooding as evidence did show Swineshaw Reservoir in 2001 as it is common by word of mouth in the town must of opened their sluice gates because there was a serious threat the reservoir was to burst, which would of caused more serious threat to the town. 

So to the Christmas Special, tickets and more details are to be released in October. It will be three evenings of history, workshops and discussions. As there has not been any event this year so far we are pouring all our efforts into this. But hang on what's new, that I have discovered recently, well a lot but if you follow us on Twitter, Instagram and Facebook we're asking you to work out where we are in the town and the most right answers will put together and a random lucky winner will get two free tickets to our Christmas Special.

Looking forward to seeing you all very soon....  By Matthew Cox.

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History Snippets of Glossop 1986

Here a series of historical snippets describing Glossop life in 1986.



Shirehill Hospital
Shirehill Hospital was opened in the 1800's as a workhouse. It is now a long stay hospital for the elderly. It does not have a casualty Department. There are 8 large rooms and a few rooms where equipment is stored. Four of the rooms are bedrooms and four are day rooms. The women's rooms are on the bottom floor and the men's rooms are upstairs. There are 60 beds in the hospital and all are filled. All the rooms are fully decorated and carpeted to make the patients feel more at home. The patients may do basket making, sewing, knitting, play dominoes or just sit and talk. In the summer the patients can sit out on the verandah. They say it is just like being at home.


The patients at Shirehill Hospital get their first drink at 6.30am. They can get up anytime between 8am and 10am. Breakfast is served at 9am. The patients are expected to get dressed when they get up. At 11am they have another cup of tea and biscuits. Dinner is served at 12 noon and afterwards they can go over to the day centre where they can make baskets or do other activities. On Mondays a lady comes from the library and the patients can loan books. If they feel tired then the patients can go to bed. Those who are bedridden have their own radio and there are televisions in all wards. At 5.30pm tea is served and after the patients may stay up until about 11pm.


The Commercial Inn
The Commercial Inn is a public house in Old Glossop. It is a typical pub which has a games room with a pool table and a darts board. The pool and darts team play other pubs on saturday nights. There is also a domino's team. Upstairs there is a room for hire. It has a small dance floor and a bar. This costs about £25 for one night. The most popular drink is handpumped bitter,which is kept downstairs in the cellar. The pub also sells food,ranging from pizzas to fish fingers and chips. They also do a special childrens menu.All these meals are eaten in the dining room. They also have lots of activities to do with music,for instance they have a disco,live music, and organ playing


Old Glossop Sub Post Office
Old Glossop post office is a sub post office on Manor Park Road. It sells stamps, National Savings Certificates, Premium Bonds,and you can use the National Savings Bank. You can also buy T.V., car and dog licences. The shop also sells gift tokens,sweets and cards. One person works there and he is expected to be efficient in handling money.Approximately 350 pensions and 290 family allowances are paid out each week. Some people travel from Chunal, Hadfield and Old Glossop to use the post office. Thursday is the busiest day because of the pensioners. The next nearest post office is on Victoria Street,Glossop. The Post Office is considering closing many small sub post offices like this one. Two in the Glossop area were closed in 1984.


Glossop Carnival
Glossop Carnival is held on the first Saturday in July. The procession leaves Hadfield School about 1.30pm and goes down Newshaw Lane, then along the A57 through Glossop and finally up Manor Park Road ending in Old Glossop. There are about 40 floats, 6 troops of dancers and 4 bands, including Glossop Band, Tintwistle Band and the Girls Brigade. Each local village sends their May Queen and individuals can enter in fancy dress. The fancy dress entries and the floats are judged by the Mayor of High Peak. A float is a car or lorry decorated specially for the occasion. This year floats included Alice in Wonderland, Fiddler on the Roof, and Victory in Europe Day. The winning float was the Rocky Horror Show. People throw money onto the floats and this is given to local charities.


Glossop Water Supply
Glossop's main water source is the reservoirs. The reservoirs were built in this area because of the high rainfall of over 1,000 mm per year and the impermeable rock. There are two reservoirs, one called Hurst opened in 1961 and one called Swineshaw opened in 1972. Hurst Reservoir has an area of 13.5 acres and a capacity of 36,500,000 gallons. The depth of the water is 25 feet, and it is 588 feet above sea level.Hurst's treated water output is 1.749 mega-litres per day. Swineshaw Reservoir has an area of 21 acres, and a capacity of 56,300,000 gallons. The depth of the water is 34 feet,and it is 558.6 feet above sea level. It's output is 3.04 mega-litres per day.This area is part of the North West Water Authority.


Industry in Old Glossop
Union Carbide is an industrial plant which is located in Old Glossop . Forty one people are employed,most of these are men.The average age of the workers is roughly fifty years old, but the office staff are much younger. The present plant was opened in 1950 and is one of the most modern in Europe.The workers in the warehouse (the main building) all wear protective clothing. Union Carbide produces briquettes of different kinds. This is the only Union Carbide plant in England to make these. To make the briquettes chromium, silicon and manganese are needed. These raw materials are imported from Zimbabwe and Canada.

These and more can be found on various websites. Many have been collated on the reloaded Doomsday Book on the BBC.

http://www.bbc.co.uk/history/domesday/dblock/GB-404000-393000/page/1

Complied By Matthew Cox

Will Your Vote Change the Country and Glossop?

Do people realise just how important this vote is?

Personally I don't think there has been any true leader during the latest campaigns. The fights between the leaders have all been seen by us all but why don't they fight like that each and every day in our own and european parliaments? We might of never needed this referendum in the first place.

Why have a referendum? Was there concern about our european status in the first place?

I don't know what the verdict will be but I just hope it gives a boot up the government to show, we the people really do care, hear and work for our country and yes we do have a voice. I hope everyones voice is heard come the result. That would be one of the best things to come of this.

Enough with the politics....

Will it change the Glossop landscape?

Yes. Still holding a very deep breath for the chimney to come down, work should of started this month. I don't think there will be a bypass any time soon... Plans have been in the works for 80 plus years so why would they start now?


Do you think Glossop will change and develop for the better?

The History of the Chimney

Hidden Gems of Glossop

Figureheads of Glossop

Glossop Connections - Charles Calvert, Raisley Calvert & William Wordsworth

Glossop Famous Connections
The Calvert Family - A Celebrated Artist. Charles Calvert Junior.

In my last post I had mentioned that Charles's first son, was Frederick Baltimore Calvert but it is in fact it was his second. I have managed to trace that Charles had in fact eight children. His first child was also born at Glossop Hall and was named after his father on 23rd September 1785. Records show that Charles Calvert Junior was taught at the hall itself in Glossop, Derbyshire. He became an apprentice to his father within the family cotton business. He seems to become a very successful cotton merchant until, however, he abandoned cotton for art and became a landscape painter.

His influences for this drastic change of mind came from his uncle, Raisley Calvert who was a renowned sculptor. Raisley Calvert, was in fact, the Steward to the Duke of Norfolk, and looked after his estates at Greystoke. Raisley not only had a great career but great connections as he was a close friend and admirer of William Wordsworth. They were at Cambridge University together where they became very good friends, this is their story...

William & Raisley 

William Wordsworth

William was sent to school at Hawkshead where he made friends with a boy from Cockermouth called William Wordsworth. The two boys were the same age and from similar backgrounds. Wordsworth’s father was an agent for Sir John Lowther, the Earl of Lonsdale. When they left school Wordsworth went to Cambridge, travelled abroad and lived for a while in London while William joine
d the Duke of Norfolk’s Regiment (then known as the 12th Regiment of Foot) of the Militia. In 1791 William’s father died, and he and Raisley inherited a sizeable fortune.

In July 1793 William Calvert invited Wordsworth to accompany him on a tour of the West Country, all expenses paid. Wordsworth wanted to become a poet but had no job and no income. He eagerly accepted William’s offer and the two young men set off. They spent about a month on the Isle of Wight where they watched the English fleet preparing for the war with France. They then headed west, but near Salisbury their horse dragged the carriage in which they were travelling into a ditch and it broke into pieces. The two men decided to separate. William took the horse and rode home to Keswick while Wordsworth set off on foot and walked across Salisbury Plain. He travelled through very bad weather, rested at Stonehenge and had some visions: an experience which led to the writing of his poem ‘Salisbury Plain’. Later that year he visited William and his brother Raisley at their family farm at Windy Brow on the slopes of Latrigg near Keswick. 

In early April of the following year William invited Wordsworth and his sister, Dorothy, to stay at Windy Brow. Wordsworth and Dorothy were delighted. They had been separated since childhood. After the death of their mother in 1778 Dorothy had been sent away to live with relatives. They had met up again in Halifax for six weeks but now they looked forward to a holiday together. They travelled by coach to Kendal then walked the eighteen miles to Grasmere and a further fifteen miles to Keswick. William Calvert was away with his regiment but Wordsworth and Dorothy stayed with his tenants at the Windy Brow farmhouse (Right). Dorothy loved staying at Windy Brow. She wrote to her friend, Jane Pollard, saying how delighted she was with the situation of the house.

She described, in glowing terms, the view from her window which looked out over the River Greta, Keswick town and Derwent water. She described how cheaply she and her brother could live, with milk for breakfast and supper and mainly potatoes for dinner. There was a terrace path on the slopes of Latrigg, above the house, where Dorothy enjoyed walking and admiring the view of the vale of Keswick . They spent a month at Windy Brow and it was during this time that Dorothy first started to copy out Wordsworth’s poems: a job which she would continue to do for the rest of her active life. 

Later in 1794 Wordsworth returned to Windy Brow to find that William’s brother, Raisley, was very ill with consumption. William was with his regiment in Tynemouth, Northumberland. Wordsworth suggested that he might accompany Raisley on a visit to Portugal to improve his health if William would cover the costs. At the same time Raisley decided to write a will. He left everything to his brother except for a £600 legacy (later increased to £900) to Wordsworth. Wordsworth wrote to William asking for money for the trip to Portugal. William responded immediately and offered to pay all costs. Wordsworth and Raisley set off but they only got as far as Penrith and had to turn back the next day because Raisley was worse. Wordsworth stayed to nurse Raisley at Windy Brow but Raisley died in January 1795. Raisley’s legacy was a valuable asset for Wordsworth at this time.

There are records to show the visited family and went to a "hunting lodge" which is strong evidence that they visited Glossop at this time. During the early periods of Glossop Hall it was used as a holiday home and a hunting lodge. it is just wonderful to think that this great man made his presents in Glossop itself.

This friendship was so strong that William Wordsworth visited Raisley on his deathbed and personally cared for him right up until his death in 1794. Unknown to William, Raisley had left him a legacy of nine hundred pounds, a small fortune of the day, as a mark of gratitude. William never forgot this as he wrote later:

 Manchester and Liverpool Railway in 1825 by Charles Calvert

"Calvert! It must not be unheard by them
Who may respect my name, that I to thee
Owed many years of early liberty.
This care was thine when sickness did condemn
Thy youth to hopeless wasting, root and stem."

Charles Calvert Junior became a great landscape painter and teacher of art. One of his most famous paintings was of the Manchester and Liverpool Railway in 1825. He was one of the founders of the Manchester Royal Institution now the Manchester City Art Gallery. He gained the Heywood gold medal for a landscape in oil, and the Heywood silver medal for a landscape in watercolour. He loved to spend his spare time in the Lake District. When he died he was buried at Bowness-on-Windermere.

Compiled By Matthew Cox

In Addition:

William Wordsworth died in 1850. A few years later the Greta Bank estate was sold to Mr Anthony Spedding. The house at Greta Bank was substantially rebuilt and has now been converted into apartments known as ‘Brundholme Country Houses’. Calvert’s Bridge has given its name to the nearby ‘Keswick Bridge’ Timeshare Lodges. In 1978 John Fryer Spedding set up the Calvert Trust to provide outdoor adventure activities for people with disabilities. The name was chosen in memory of Wordsworth’s benefactor, Raisley Calvert, ‘to represent friendship, support and the desire to help somebody to fulfill their potential’. The Windy Brow Farm where Wordsworth nursed Raisley is now owned by the Trust. Calvert was an interesting character. He had some influence on the Lake Poets, he took a keen interest in agricultural development and he was a kind and generous friend to those around him.

More Information & Sources

Calvert, Charles (1785–1852), landscape painter, born at Glossop Hall, Derbyshire, on 23 September 1785, was the eldest son of Charles Calvert (1754–1797), land agent, and his wife, Elizabeth Holliday (1751/2–1842). His father was agent of the duke of Norfolk's estate in Derbyshire and an amateur artist. Charles Calvert senior died on 13 June 1797 and was buried in St Mary's churchyard, Manchester. Calvert began business as a cotton merchant in Manchester, having been apprenticed to the cotton trade, but abandoned commerce for art and became a landscape painter. He was instrumental in the foundation of the Manchester Royal Institution (which later became Manchester City Art Gallery) and gained the Heywood gold medal (awarded to local artists) for a landscape in oil, and the Heywood silver medal for a landscape in watercolour. The Manchester Courier reported in 1828 that, of local artists, Calvert's paintings were the most consistently sold. He was not well known outside his region, however, and exhibited only two works in London, one of which, at the British Institution in 1825, was entitled Near Rustom, Cheshire.

Calvert devoted much of his time to teaching, and spent the remainder painting in the Lake District. Although confined to his bed in later years, he continued to paint landscapes from memory. He died at Bowness, Westmorland, on 26 February 1852, and was buried there. Examples of his work are in the Victoria and Albert Museum, London, and Manchester City Galleries.

Charles Calvert's brothers included , actor and lecturer on elocution, , surgeon, Henry Calvert (1785–c.1869), sporting and animal painter, and Michael Pease Calvert, painter. He was father-in-law to the portrait painter .

In the Dictionary of National Biography Raisley Calvert (bap. 1773, d. 1795), friend and benefactor of William Wordsworth, is incorrectly described as Charles Calvert's younger brother. Raisley Calvert was baptized on 16 September 1773, the younger son of Raisley Calvert senior (1728/9–1791), steward of the duke of Norfolk's estate at Greystoke Castle, near Penrith, Cumberland. His elder brother was William Calvert (1771–1829), who was at school with Wordsworth at Hawkshead, Lancashire, where he later became schoolmaster. On the death of his father, William Calvert became a man of independent means, inheriting, with other property, the estate of Bowness on the east shore of Bassenthwaite, near Keswick. Raisley Calvert inherited from his father several farms near Keswick, the income from which was held in trust until he attained his majority in 1794. He was admitted to Magdalene College, Cambridge, on 14 February 1793, where he became friends with Wordsworth, but left soon afterwards with a resolve to educate himself by travel on the continent. Though described in the Dictionary of National Biography as a sculptor, no evidence has come to light of any works sculpted by Raisley Calvert. On falling ill with consumption, he returned to the Lake District, where he died at Penrith after 7 January 1795, when Dorothy Wordsworth mentioned that he was ‘barely alive’ (Letters of William and Dorothy Wordsworth, 139). He was buried on 12 January. In his will, signed on 23 October 1794, Raisley Calvert left £900 to Wordsworth. The poet subsequently wrote a sonnet, ‘To the Memory of Raisley Calvert’, and later mentioned him in lines 349–67 of the thirteenth book of The Prelude:

A Youth (he bore

The name of Calvert.

(lines 349–50)

Sources  

W. E. A. Axon, rev. L. R. Houliston, Art Journal, 14 (1852), 150 · S. Urbans, GM, 2nd ser., 37 (1852), 630 · T. Fawcett, The rise of English provincial art: artist, patron and institution outside London, 1800–1830 (1974) · G. Meissner, ed., Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker, [new edn, 34 vols.] (Leipzig and Munich, 1983–) · M. Hall, The artists of Cumbria (1979) · D. Child, Painters in the northern counties of England and Wales (1994) · Bryan, Painters (1903–5) · Redgrave, Artists · Mallalieu,Watercolour artists · M. H. Grant, A chronological history of the old English landscape painters, rev. edn, 8 vols. (1957–61) · IGI · H. M. Cundall, A history of British water colour painting (1908), 193 · The letters of William and Dorothy Wordsworth, ed. E. De Selincourt, 2nd edn, rev. C. L. Shaver, M. Moorman, and A. G. Hill, 8 vols. (1967–93), vol. 2, pp. 81, 97, 126n., 139–40 · W. Wordsworth, Poems, in two volumes, and other poems, 1800–1807, ed. J. Curtis (1983), 151–2

Glossop Cotton Queens - From Miss Glossop to Miss England 1930

The Cotton Queens 

According to a recent survey over 18 million people attend music festivals here in the UK every year. Music, arts and film festivals are on the rise and now attracting global attention bringing in the biggest names. History festivals are now starting to crop up here and over thirty took place over the summer.

There have always been festivals in Glossop some festivals have survived the test of time and some have now faded. It was not up until recently that we celebrated the May Cotton Queens. This festival celebrated just one thing, cotton. This one day in May was dedicated to a huge, colourful parade throughout the town. It was not only to celebrate the towns industry but an advertisement! A huge competition would take place between all the mills in the valley to determine the best cotton queen. The mill owners would choose the fairest girl within their business to showcase their finest product, similar to the Miss World competitions today.

They would parade through the town on the back of rickshaws and flatbeds and later vans. Some would depict a moment in history and others would show fashion, similar to the floats we have today at carnivals. It would then be up to a panel of judges normally including the Mayor to announce and crown “Miss Glossop”.

Then later in June it would go National a massive competition to find the “Cotton Queen of England”. I have found a report in a 1930s National newspaper, a truly fascinating little piece of our history, how “Miss Glossop” got to the final.

Cotton Queen 1930 Miss Glossop to Miss England  

In May 1930 Cotton Queen Festivals took place all over the North West of the country. Glossop held one of the largest; over 60 queens were presented that year from far and wide. The competition was fierce; competitors came from Manchester, Hyde and Cheshire. The competition was won by Miss F. Lockett who came from Newton Moor Mills of Hyde, a weaver aged 20. Miss Lockett was crowned ‘Miss Glossop’ and was paraded through town and was done so with,  “full of delight and splendor” according to a local reporter.

In June following on from the regional events, the Nationals took place. As I mentioned last week, I have found a report in a National newspaper that covers the Final in 1930. The Grand final of the search for “Miss England” took place in the Tower Circus, Blackpool. A total of 40 queens made it to the final stage where they were put “on display” and asked to do a variety of task, properly just walking round!

The panel of judges cut the 40 queens down two and took time to select a winner. The two finalists were, “Miss Salford” Miss E. Knox a clerk from Ordsall Dye Works in Salford and “Miss Glossop”.

The winner was selected by the Mayoress of Blackpool and was crowned “Miss England”. The top prize was given to “Miss Glossop” and was put on the grand throne in the centre of a massive parade. According to the news article, “ over 400,000 people flocked to see the Cotton Queen of England, the storm clouds retreated and the glorious sun shone over the queen of queens and her people”.

More than 20,000 people lined the streets when Frances Lockett returned to Hyde after being crowned the first Cotton Queen of Great Britain. Such was the town’s pride that she was treated like a member of the Royal Family.

Yet Frances was actually a Derbyshire girl. At the time of her success she lived, quite aptly, on Queen Street, Hyde. But she was born at a house on Gladstone Street, Glossop, and spent her infancy there.

Indeed, because of the way the competition was organised by the Daily Dispatch (a newspaper which folded in 1955 and was ultimately absorbed by the Daily Mail she won her title as Miss Glossop and Hyde.

"The final took place at the Tower Circus, Blackpool, on 28th June, 1930. Frances, wearing an ivory-coloured ball sheen gown designed in the latest Parisian style by Kendal Milne of Manchester, was described as tall, slim and pretty. She certainly made her mark on the judges – the Marquis of Donegal, Lord Inverclyde and JW Tout MP – and there was a huge roar when it was announced that Miss Glossop and Hyde had beaten the other 17 entrants.

Before the crowning ceremony, Frances changed into a gown that was 50 per cent cotton and 50 per cent satin, with red Lancashire roses forming a line from the shoulder."

The train was white-edged with ermine, caught at the neck with golden cords. The lining was golden also.

Mrs GW Gath, the Mayoress of Blackpool, placed the crown on Frances’s head. Made of gold lined with red velvet, it was set with rubies and diamonds. She also received a portable gramophone, and a silver dressing case on behalf of Blackpool Corporation. The people of Hyde were ecstatic and thousands lined the streets for the victory parade, which began at Frances’s place of employment, J and J Ashton’s Mill, off Ashton Road.

Overnight, Frances went from mill girl to celebrity. A cotton queen waltz was written in her honour and her likeness appeared on specially produced Queenella handkerchiefs. However, she was much more than a clothes horse. As articulate as she was elegant, Frances wrote and delivered speeches promoting the value of cotton produced by British workers.Drawing huge crowds wherever she went, Frances spoke at West End theatres, the British Fashion Ball at Covent Garden and British Cotton Textile Exhibition at White City.

A Clip of 1936 Cotton Queen Final can be seen here: http://www.britishpathe.com/video/cotton-queen-aka-blackpool

By Matthew Cox

Check Out Our Events & Projects at glossoptours.moonfruit.com

Olive and Partington Paper Mills, Glossop

The Hidden Gems of Glossop and the High Peak

A brief look at Olive & Partington Paper Mills, Glossop

Glossop was once famous for producing endless miles of cotton products but it is often overlooked that the town produced some of the finest paper in the world. Its produce was used by some of the world leading brands and companies.

The Turnlee Mill stood on Charlestown Road, Glossop. It was bought by Edward Partington and his business partner William Olive around 1874 from Thomas Hamer Ibbotson. Edward Partington brought his flourishing business from Manchester to Glossop only to develop further. The paper mills at Glossop gradually incorporated several other smaller mills such as Tip Mill and Burymewick Mill in order to try and develop the modern method of paper manufacturing using the sulphite process.

The sulphur was brought by the railway to the goods yard in large barrels along with the vast quantities of logs. These were then loaded, by hand, onto the horse pulled flatbeds and trailers which were replaced later in 1917 by the famous fleet of Tiger tractors. Some locals still remember the huge steam tractors hauling many tons of logs and sulphur from the Railway Station up Victoria Street onto Charlestown Road, towards the Turnlee Mills.

One of the 'Tiger' Tractors (No.3) still remains today having been fully renovated by a group of enthusiasts and currently lives in New Mills and visits many national steam events throughout the year 

Guinness, Cadbury's & Women Magazine are just a few from the extensive list of companies that used the paper produced in Glossop. The mill provided over 1,000 jobs and offered “All the year round vacancies”- a slogan of the bygone era.

Disaster struck on 25^th June 1943 as one of the spherical boiling pans, weighing six tons and spanning twelve feet in diameter, exploded killing four men. There were numerous other injuries including burns from the boiling sulphur solution.  The steam Tiger traction engines were used to clear the debris. The appalling stench of the sulphur gases were reported all over the town.

Very little exists of the Olive and Partington Paper manufacturers at Turnlee Mills as many of the buildings have been demolished. You can still see some of the grand architecture such as the main gate stones and walls that still survive.

Today on the site, there are are a few small businesses flourishing from the ashes of what was one of Glossop’s greatest assets. The rest has recently been demolished to make way for a new housing estate but one corner of the original building has been saved and been converted into apartments. It is yet another gem of Glossop Dale that should never be forgotten.

Matthew Cox

Glossop Tours on Twitter

A History of Glossop Railway Line & Beyond...

A History of Glossop, Manchester & The Woodhead Railway Line

Part 2 of 6 - Glossop -"The Link to Foreign Lands"

The Glossop branch was built by the 13^th Duke of Norfolk when the historic Manchester to Sheffield line bypassed the town in 1845. The Duke gave his land and paid all the expenses for the one mile extension from Dinting Vale to Glossop. The initial station was complete with a private waiting room with a fire place and a small room for the station master, porters and other staff. Glossop station was initially for the sole use of the Duke of Norfolk when he resided during the summer months at his manor house, Glossop Hall. 

Glossop Central opened for goods traffic on 9^th June passenger traffic began on 30^th June 1845.

Glossop station provided a direct link to the outside world, as there was only one stage coach that ventured out of the town a week to Manchester and Sheffield before the railway was built. The Duke welcomed new shipments of coal, slate & wood. He saw the potential for growth and commissioned a goods depot and yard adjacent to Glossop Central in 1847. The goods yard was complete with the Lord Howards Lion, which still stands to this day, a reminder the Duke freely gave his land and money.

The railway was responsible for the rapid growth of the town, throughout the late 1800s. Over 50 mills scattered the valley dependant on a variety of shipments such as cotton from America and timber from Scandinavia.  The Duke of Norfolk sold the line and gained double profit to what would become the Great Central Railway.

The station was renamed on 10^th July 1922 as Glossop Central.

Glossop Central expanded the passenger section of the station opening a booking office in 1847 and a waiting room for the 1^st and 2^nd Classes. The station also had refurbishments in 1912 when the iron stanchions were put up that still exist today. As the town began to thrive a second passenger platform was built.

The railway transported local troops during the two world wars which proved to be a great asset as some of the Glossop men were in the first wave of the Dunkirk landings. They also brought evacuees from Lowestoft to safety in Glossop

During the early 1940’s Glossop, along with the rest of the Manchester and Sheffield via Woodhead line, were making preparations for electrification but was halted due to the 2nd World War.  The line was the first all-electric line in Britain with the first electric train arriving in 1954. The station was refurbished to meet the needs of the new trains but resulted in the closer of the waiting rooms.

In the 1980s the goods yard was closed then in 1982  the second platform closed.

In 2002 Friends of Glossop Station (FOGS) were set up and set upon saving and preserving the historic station. They were responsible for new improvements including new skylights reopening and renovation of the waiting rooms and a new booking office in 2011. 

By Matthew Cox

Check Out Upcoming Events & Workshops at glossoptours.moonfruit.com

Masons Arms & Your Memories

Last week I asked for your thoughts and memories of the Masons Arms pub in Hadfield and the response has been overwhelming.

The Masons Arms public house has served the local community for over 150 years and has now closed with an uncertain future. There are already several plans in the pipeline from large chain supermarkets to convert the local pub into small a metro store.

I would like to thank everyone who has sent me a message over the last week as your memories and ideas have been pouring in. There are many happy memories, such as regular pub crawls that both started and ended at the Masons Arms. The pub held a “League of Gentlemen” convention in 2006 where people came from far and wide to celebrate the success of the hit TV show which was filmed in and around the town.

One memory that stood out was that of Bill Roberts:-

“One evening in early summer 1958 I walked down to the Masons Arms from the old farmhouse at the top of Hadfield Road which my wife and I had bought the year before. We had been married only a few weeks and just beginning to find our feet in the locality.
Serving my pint, the landlord asked if I would like to pay a few more pence for a chance on the domino tables. Much to my - and everybody else’s - surprise I got a seat. Many of the regulars had tried for years to get a place on the domino tables.

I did not know the finer points of the game, only that you had to put down a matching tile when you could. When the match ended I found that I had won and you can imagine how the regulars felt. They looked at me in astonishment mixed with suspicion - was I some sort of undercover maths genius come to torment them?”

There was a very clear message that no one really wants to see another supermarket open in the town, however, it is yet another one of our historic buildings that stands empty. A youth club, disco, café, music venue and a cinema are just a few of your ideas for a possible future for the 155 year old building.

What do you think should be done with the Mason Arm’s Building?


A special thanks to Bill, Jean & Allan


By Matthew Cox